
An Authentic, Culinary Ode to the True Soul and Spirit of Texas.
Pull up a chair, friends, and pour a cold one. When we talk about the great Texas songwriters—the poets, the laconic philosophers, the ones who could capture a whole life in four verses—we talk about Guy Clark. His 1976 sophomore album, aptly titled Texas Cookin’, wasn’t just a collection of songs; it was a deeply flavorful slice of his world, served up straight and unadorned.
The title track, “Texas Cookin’,” is more than just a song about food; it’s a gently humorous, warm-hearted celebration of the feel of his home state and the simple, profound pleasures of good company and honest living. The song’s essence lies in its easy, conversational flow, a hallmark of Clark’s masterful storytelling. It’s a sonic invitation into a kitchen thick with the smells of chili, beans, and cornbread—the real sustenance of the soul.
Chart Position and Context: A Slow Simmering Classic
Released in 1976 on RCA, “Texas Cookin’” followed closely on the heels of Clark’s hugely influential debut, Old No. 1 (1975). Unlike the immediate, raw energy of hard rock, Clark’s music was part of the burgeoning Outlaw Country or Progressive Country movement, a style built for deep listening, not pop charts. The album Texas Cookin’ achieved a modest but respectable placing on the charts of the time, peaking at No. 48 on the Billboard Country albums chart. This placement, however, fails to capture the album’s long-term importance.
Guy Clark was first and foremost a songwriter, one whose work was destined to be covered and cherished by his peers (like Townes Van Zandt, Jerry Jeff Walker, and Rodney Crowell) long after the radio charts had moved on. His early RCA albums, including Texas Cookin’, established the template for the Texas troubadour—a style defined by clear-eyed realism, vernacular poetry, and a profound sense of place.
The Story, The Meaning, and The Taste of Home
The story behind the title track is classic Guy Clark: simple observation elevated to art. The song uses food as a metaphor for authenticity, for the things that sustain us when the world gets complicated. It’s a sweet, slightly wistful reflection on the kind of cooking—and the kind of love—that only comes from the heart, suggesting that many of the good things in life are simple, unpretentious, and uniquely regional.
The lyric “I don’t care what the calendar says / I’m gonna eat my dinner right here” perfectly encapsulates the song’s refusal to rush or conform to the “fancy” expectations of the outside world. It’s an embrace of tradition and comfort, a rejection of the superficial. Clark’s voice, with its deep Texas drawl, feels lived-in and honest, making him less of a performer and more of a companion sharing a tale over a plate of honest-to-goodness grub.
Musically, the song and the album maintain the lean, acoustic-centric production style that defined his early work, a stark contrast to the often slick Nashville sound of the era. Producer Neil Wilburn ensured the arrangements stayed out of the way, allowing Clark‘s acoustic guitar, his voice, and the detailed imagery in his lyrics to take center stage.
For older readers, “Texas Cookin’” conjures the deep, resonant memory of home—not just the place, but the feeling of belonging, the comfort of knowing that some things, like the taste of genuine cooking and the warmth of a true friend, will never change. It’s the sound of a master craftsman settling into his craft, inviting us all to pull up a chair and enjoy the simple, savory feast.